Paintings by Jerrin Wagstaff
February 1 - 28, 2015
click on a link below
IMAGES FROM THE PHYSICAL GALLERY
Little Spanish Eddie, 2014 Signal Hill, 2013
Oil on Canvas on Panel, 12" x 12" Oil on Canvas on Panel, 16" x 16"
$500 (+$250 shipping) $700 (+$300 shipping)
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Saddest Night Out in the USA, 2013 Racks on Racks on Racks, 2013
Oil on Canvas on Panel, 16" x 12" Oil on Canvas on Panel, 16" x 16"
$600 (+$300 shipping) $600 (+$300 shipping)
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Id's Carpet Barn, 2014 War Horse, 2014
Oil on Canvas, 30" x 28" Oil on Canvas, 40" x 30"
$1,800 (+$500 shipping) $2,500 (+$650 shipping)
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Transformer, 2012 Ignition Coil, 2013
Oil on Canvas on Panel, 16" x 20" Oil on Canvas on Panel, 12" x 9"
$800 (+$400 shipping) $400 (+$300 shipping)
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Yacht Rock, 2015 Sustained Menace, 2015
Oil on Canvas, 24" x 24" Oil on Canvas, 24" x 24"
$1,200 (+$400 shipping) $1,200 (+$400 shipping)
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The King of Ogden, 2015 Guarding the King, 2015
Oil on Canvas, 16" x 20" Oil on Canvas, 30" x 20"
$800 (+$400 shipping) $1,400 (+$450 shipping)
PRESS RELEASE
Another Year in LA has become an online gallery and will still periodically hold exhibitions in a physical space. “Conglomerate Landscapes – Paintings by Jerrin Wagstaff” will be his first solo exhibition at Another Year in LA and the first show at 4695 Marwood Drive, LA, 90065 (Sundays, 12pm – 4pm).
A transplant to Southern
California, Salt Lake City native, Jerrin Wagstaff creates paintings that
reflect his keen observations of the vast sprawl inherent in living and driving
in Los Angeles. About his experience in LA, Wagstaff says, “Like most
residents, I spend an unhealthy amount of time commuting. One of the
few benefits of commuting is that it gives me an opportunity to explore
the landscape. I find Southern California incredibly engaging with it's beauty,
scale, space, light, and contradictions. The vast sprawl and patchwork of
cities and neighborhoods is unique and impossibly complex. As I navigate the
landscape on a daily basis, I make drawings and take photographs that record my
visual interaction with the region.”
Although abstract in nature, Wagstaff’s complex oil paintings on canvas on panel evoke both exterior landscape and interior space while generating calm and frenetic energy simultaneously.
About his practice, Wagstaff writes: “I use painting as a vehicle to create conglomerate structures and alternate worlds where organic and man-made objects collide. These worlds are an interpretation of the increasingly complicated interaction between man and nature. They are also my attempt to communicate the frustration, amazement, and beauty of trying to take it all in.”
GREAT ART IN A REAL SETTING
