another year in LA



Press Release

Click here for the exhibition page

Exhibition Postcard

Exhibition Images

Exhibition Catalog

Exhibition Pricelist

Editions

Pictures from the Reception

Video-web project by Richard Haley - practicing extending the mouth movements which will form my last breath to a duration of 18,000 seconds", 2012

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Exhibition Catalog

Exhibition catalog for

Richard Haley

“holes, voids, and other descriptive terms for blankness” 

September 19 – November 9, 2012

With essays by Cathy Stone, David E. Stone, Stephen Kaltenbach and an interview with Richard Haley conducted by

Tom Friel and Sarah Margolis-Pineo.  The catalog features many color images from the exhibition.

Purchase the catalog now from Lulu by clicking on this link ($20.00 + $3.99 s/h):

Return to Richard Haley - HOLES, VOIDS, AND OTHER DESCRIPTIVE TERMS FOR BLANKNESS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PRESS RELEASE

Another Year in LA is hosting the third solo exhibition for Detroit-based artist, Richard Haley, “holes, voids, and other descriptive terms for blankness”

Haley’s work lingers between the romantic (in his photographs of celestial phenomenon) and the contextualization of the body/text and sculptural works.  While not always apparent, Haley’s work (manifest in a variety of media - photographs, sculpture, drawing and video) is clearly focused on the notion of one’s existence and is reflected through his conceptual investigations culminating in beautiful, humorous, romantic work that touches the viewer.  Haley’s playfulness is often a scrim for deeper, more heart felt emotions, presented; establishing his oeuvre in the making of sensual, smart works that are accessible and psychologically deep; simultaneously.

A key work in holes, voids, and other descriptive terms for blankness is “Moving a hole from here to there: Hole relocation” from 2012.  From an June, 2012 interview by Tom Friel and Sarah Margolis-Pineo for BadAtSports.com, Haley said, “I made a mold of a hole within Detroit. For this upcoming exhibition [at ANOTHER YEAR IN LA], the mold will be shipped to Los Angeles and cast using matter foraged locally. Essentially, I’m shipping nothing from one contested place to some other strange place—two strange cities. My work is usually an accumulation of small gestures, and this is a larger gesture. I don’t exactly know what a hole is, and I’m trying to figure that out. It’s a puncture in the land, but it’s not the land itself—it’s not the site. It’s surrounded by the site, but it can’t exist without the site. A hole is almost more like a photograph in that a photograph is not the thing, but it cannot exist without the thing the photograph is of. The hole is the space, it’s not the earth.”

Return to Richard Haley - HOLES, VOIDS, AND OTHER DESCRIPTIVE TERMS FOR BLANKNESS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

WEBINAR

Free webinar based on work from Richard Haley's  “holes, voids, and other descriptive terms for blankness” at Another Year in LA.

This is limited to the first two hundred people who sign up.

Haley will talk about the work in his show with host, David E. Stone. Everything from why he shipped a hole from Detroit to LA to did it hurt when he pushed a funnel in his leg for more sunshine in his body to what is the meaning of the concurrent web-project will be discussed and more.

Register here: http://www.anymeeting.com/AccountManager/RegEv.aspx?PIID=E159DA88894D
 

Return to Richard Haley - HOLES, VOIDS, AND OTHER DESCRIPTIVE TERMS FOR BLANKNESS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Editions


Postcard/Poster, 2012, edition of 200, signed and numbered by the artist

     

click on an picture above to see larger image

Designed as works to accompany his 2012 solo show, Haley made this combo set of poster checklist for the exhibition (11" x 17", folded in quarters) and postcard (5.5" x 8.5", color front / b&w back).  These are not replicas of other works, they were designed for this edition.  They are packaged in a 5 1/2" x 8 1/" archival plastic bag and signed and numbered (1/200 - 200/200) on the verso.

$10.00 + $2.00 (s&h)


Deluxe Postcard, 2012, edition of 8, signed and numbered by the artist

  

click on an picture above to see larger image

Designed as a work to accompany his 2012 solo show, Haley made this postcard (5.5" x 8.5", color front / b&w back).  This is not a replica of any other work by Haley including the postcard from the larger edition of 200 above. This is packaged in a 5 1/2" x 8 1/" archival plastic bag.  Signed and numbered (I/VIII - VIII/VIII) on the verso.

$10.00 + $2.00 (s&h)


Catalog + the Postcard/Poster combo

$25.00 + $5.00 (s&h)


Scorched Earth (Version 2), 2012, edition of 8, signed and numbered by the artist

  

click on the picture above to see larger image

Designed as a work to accompany his 2012 solo show, Haley made SCORCHED EARTH (Version 2).  This work is an archival digital photograph (5.5" x 8.5") glued onto rag paper (11" x 8.5") with unique handwritten text.  Signed and numbered on the verso.

$200.00 + $20.00 (s&h)


 

“MAKE A XEROX OF THE SUN: COPY AND DISTRIBUTE WIDELY", 2012, cast aluminum, ed. of 8

  

click on the picture above to see larger image

Cast aluminum (11" x 11").  Edition of 8 with Certificate of Authenticity.  

$500.00 + $25.00 (s&h)


Return to Richard Haley - HOLES, VOIDS, AND OTHER DESCRIPTIVE TERMS FOR BLANKNESS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

 

Images from the Exhibition

         

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Pictures from the Reception

click on an picture below to see a larger image

        

Return to Richard Haley - HOLES, VOIDS, AND OTHER DESCRIPTIVE TERMS FOR BLANKNESS

 

return to menu


another year in LA is located at the Pacific Design Center, Suite B267, 8687 Melrose, West Hollywood, CA 90069

Gallery phone:  323-223-4000